Often a reverb will feature modulated tails and static reflections, but many sampled impulse responses include early reflections and late reverberation in the same capture. The modulation technique used for true stereo simulation adds a dynamic sense of space and airiness to the reverb, but because the direct channels are not modulated it will not impair the true character of the original. Now in Reverberate 3 you can modulate the simulated crossfeed channels bringing them to life in way you may have never thought possible without impacting the essential structure and onset characteristics of the sampled reverb. This is an especially powerful technique when used with reverbs that were never designed with true stereo in mind, dramatically improving their spatialisation capabilities. Reverberate can simulate true stereo reverbs using stereo captures. Typically the crossfed channels are delayed, and reduced in level, and may even be subject to some additional filtering. Many third party impulse responses are simple, two channel captures – but for a fully enveloping sound true stereo is required.Ī reverb with crossfeed creates reverberation from the left input signal to both left and right output channels, and vice versa. Of course you can still then send these modified Fusion-IRs into the regular array of editing tools including crop, envelope and resampling stretch. Contouring above and below two user-controllable crossovers allows powerful control over low and high reverb times. Reverberate 3 includes a new re-decaying feature so you can adjust reverb times from 0.25x – 1.75x of their original time without introducing stretch artefacts. This also means you can even remove late reverb pre-delay without trimming off any associated reflections from the beginning of the reverb. Usually in a convolution reverb applying additional pre-delay would dramatically unglue the reflections, but in Reverberate 3 you can shift the late tails forwards and backwards in time independently. Many hardware reverbs only apply pre-delay to the reverb tail, which means the reflections are not unnaturally untethered from the dry sound as pre-delay is applied. New in Reverberate 3 is the ability to independently adjust the late reverb pre-delay without disrupting the integrity of the sampled reflections. Anybody who wants to breathe new life into their capture library or make something even more special with what they already have needs Reverberate 3.įusion-IR processing captures the evolving character of time-varying reverbs using multiple true-stereo reverb streams that are processed simultaneously into a reverb that mixes effortlessly with your music.įusion-IRs contain separately sampled early and late reverb components for unparalleled control in a convolution reverb, so you can balance the early and late components of a reverb independently, just as you can on a hardware device. Have you ever wondered what the early reflections of one piece of classic hardware sounds like with tail of another? Or what an iconic stereo reverb would sound like in true stereo? All possible with Reverberate 3.
It is an innovative approach to convolution capture and playback creating a lively, organic reverberation that is impossible to achieve with traditional static convolution. Take your captures closer to their original hardware than ever before, or so far away that they become almost unrecognisable.Ī cornerstone of Reverberate’s ability lies in own proprietary modulated capture and playback technology format called Fusion-IR. It features a wealth of editing and modulation tools that can refresh and enliven any third party stereo and true stereo impulse responses. Loaded with effects and modulation options ranging from the subtle to the sublime, it is a powerhouse of creative potential that can take impulse responses to new highs. Reverberate 3 takes the impulse captures of iconic hardware reverbs and makes them sound better than ever before. If you have captures of legendary studio hardware or even the overlooked gems, Reverberate 3 is for you. Reverberate 3 is for the impulse responses aficionados.